Thursday, March 6, 2008

Yippee!


Had a wonderful time doodling last night..and turning my doodles into something useful. I've been contemplating ways to increase the perceived value of my jewelry and to make it looks great on display. I think these charming little tags will do both those things. What do you think?

Monday, February 25, 2008

The Gaian Conspiracy

I am a tree, in a seed, in the earth,
I am a river, I flow through the earth,
I am a thought in the mind of this planet,
I am a dream in the mind of the goddess.

Hey ya'na hey, weave away,
we are all a part of this,
hey ya'na hey, find a way,
the song returns my soul to this.

I am a tree, in a seed, in the earth,
Winter is sleeping, dreaming rebirth,
I am of flesh, giving form to the spirit,
I share this song, that the goddess may hear it.

Hey'ya hey, weave away,
we are all a part of this,
hey ya'na hey, find a way,
this song connects my soul to bliss.

Two Sides of Winter

The winter solstice divides the year and divides the winter as well. On the far side of the axis is winter dark and on this side is the secret spring. Winter dark is time for dreaming who to be, whereas secret spring is the root-work that allows these dreams to manifest.

When most people speak of winter they describe a day like today. Snow fell in the early morning, then puddles upon puddles of rain. The yard is a bog of mud and wet leaves. Everyone thinks its cold, but when I put my eye to the ground, I discovered the earth preparing for warm days. Bright tiny shoots gazed back from the water. They are the children of secret spring

Life begins underground. Before the crocus lifts his head, before the birds choose their mates, the seeds germinate. They send their roots down through the warming, wet February soil, protected from nighttime frost by the last leaves of autumn.

In secret spring the sky is a million shades of grey. The clouds are heavy, but moving fast. The geese complain as they drift among the clouds, buoyed up by the same hurrying wind. In a few weeks the birds will make their long flights back north and end their winter pilgrimage. They gather in massive flocks, chattering and pecking the first green food of the season.

Scientists believe that migrating creatures react to the changing angle of the sun, not the weather, as was once thought. In winter the sun travels south and lingers, pale and solitary, at the horizon while the earth turns cold. Only humans seem unaware of the change. We roar across a sentinel planet with the help of our heaters and gas guzzling machines. Meanwhile, bear sleeps and monarchs gather by the drowsy thousands in the hilltop forests of Sierra Chincua. In February the butterflies will follow the geese north, lay their larva on milkweed pods, and die.

Back in Missouri, I enjoy winter dark with a walk beneath the cold night moon. The earth is still and frozen solid; the air is sharp and clear as glass. My thoughts follow my feet across the glittering reality as my dog and I follow the moon. I marvel at the shape of the naked trees that, without their leaves, appear like tall, patient men waiting in the snow. This is the winter everyone recognizes. It’s the season of three hundred dollar electric bills and family celebrations, of snow and silence.

If I were to mark winter dark on a calendar, I think it would begin in November. The ancient Celts believed that the boundary between life and death was thin this time of year. Romantically, the belief invokes thoughts of fireside conversations with the family ghost. In reality, cold nights and hunger drew many across the Veil unwilling. On the night of the winter solstice our ancestors kept vigil, praying for the sun to return. Different cultures gave the sun different names, but even modern Christmas remembers the awe inspiring birth of light from darkness with song and prayers.

However, by January the sun has visibly begun his journey home. The seeds begin their underground work and modern humans calm down long enough to file their taxes and pack up the Christmas tree. Secret spring marks the weeks between darkness and the vernal equinox and contains the ancient festival of Imbolc. This early-spring holiday celebrates the birth of season’s first lambs and calves. It also acknowledges the return of the earth as a maiden goddess. The ancient Celts dedicated these days to the goddess Brigid and medieval Catholics held a feast to honor the purification of the Virgin Mary.

Today, few people celebrate the green touch of secret spring or experience the clarity of winter dark. Both seasons are beautiful, but cold. They last only a handful of weeks and tend to blur into a conglomerate season called sweater weather. Their details are microscopic, like the structure of a snowflake or the root of a newborn seed, too small to notice when I’m in a hurry. Yet when I slow down I see secret spring as the promise of color and tiny life stirring underground. Winter dark is a moment rest as the seeds and butterflies wait the time of rebirth. Both are a gift to those who observe the journey of the sun and the metamorphosis of the earth through her many seasons.

Saturday, February 23, 2008

Featured Artist: Beadfreaky


Tell us about yourself: your interests, family, ect : I have a big family, 5 kids, and I think that's one reason I love goddesses so much. They symbolize all that is important in Mothering, which is something I really need to reaffirm to myself. I also have always loved making things. Ceramics is something I've been doing for about 15 years. I also love to paint and am planning on learning glass.

Can you describe your studio/work area? Right now it's just half of a two car garage :) My work doesn't really require much space. I have a small electric kiln for the bisque firings and for the porcelain beads. I usually just use one table to work at, whether I am formimg beads, making plaster stamps, cleaning pieces, or applying glazes. I just clean up in between :)

Tell us about the creative process. What inspires you and how do you turn those inspirations into art? I am simply drawn to ancient symbols. I feel they represent all that is missing in modern life: our connection to nature, our bodies, our families, the cycle of the seasons. Sometimes I make a model of what I want and then make a plaster mold. Other times I carve into plaster to make a stamp. I also like to use found objects and textures for a more abstract, less representational piece.


What do you enjoy most about crafting/creating? For me the most fun is the firing process. I love taking a item made of clay and changing it through the heat of the fire. Wheter it is in the pit outside with salt, copper, and leaves or in the kiln with glazes, the transformation is magical.

What inspired you to fire pendants in your backyard instead of a traditional kiln?
About 15 years ago, I had a friend who worked with pit-firing. At the time I lived near the Pacific Ocean, and it was wonderful to do the firings by the ocean. Adding seaweed was a great way to get cool salt effects. I was making small pendants and beads, and they seemed perfect for pit firing, actually much easier, because breakage due to thermal shock is less likely with the smaller pieces. The random, stone-like effects were a perfect fit with the natural subjects of the beads.

Why do you think ancient symbols, like the labyrinth and Kokopelli, continue to speak to people today? Well as much as we like to pretend that we are not part of nature, we are natural beings who are dependent on and affected by nature. We know that deep inside, and that awareness attracts us to these symbols.

Well... I really love the moon goddess in my avatar because she is such a big, bold goddess. I also like the moon reference in that piece. She looks a bit like me :) which also endears her to me.


Visit beadfreaky's Etsy store

Monday, February 18, 2008

Pattern of a Goddess

Some patterns are life-patterns; some patterns live in our hands. This pattern was inspired by the goddess who inhabits its center and the rest of me had to learn the knots as it unfolded. That makes for a long night hunched over 20 yards of hemp, tying and retying knots, trying to keep faith that the pattern exists even when I can’t see it.

The beautiful goddess who inspired this design was crafted by beadfreaky, an artist I met through Etsy. Her pendants speak of the earth’s raw power, a power that sleeps within women, even today. In a world dominated by stick thin models with haughty expressions, beadfreaky recreates the goddesses who watched over our ancestors as they gathered, planted, and birthed.

I’m honestly still unsure of the name of this goddess. The square, volcanic beads told me she is Pele, but the weather is singing the name of Brigid. I know she is the heath/fire goddess. What do you think?

Show, Arlo

Saturday, February 16, 2008

Blogsphere

Today I’m singing connections
And the shape of a blog, like a sphere.
Today I decided to wander, type, listen, and hear.
If you, like the mind, choose to wander,
And read what I'm writing while here,
Then down with that strange, thirsty empire,
Singing commercials into my ear.

(1st published under the title "qassai" because the chaos that site created at Etsy inspired me to contemplate the power of blog advertising. However, I worried that qassai would be interpreted as the "strange empire" when I was actually refering to the octopus of consumerism)